Natural Dyes Workshop

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Last weekend I took a two day workshop at Wildcraft called Pattern Play & Natural Dyes.

Day 1 | Dye Paste Samples

The first day of the workshop covered creating dye pastes and three techniques for application. The pastes included alum and different percentages of iron. We got to make two 12″ x 12″ cotton samples at each technique station. It’s pretty cool how the different pastes would determine how the dye would adhere to the cloth.

These are my stencil samples that were later dyed in cutch and madder.

These samples were block printed and dyed in pomegranate and logwood.

The last technique was hand painting. These were dyed in weld and lac.

Day 2 | Immersion Dye

Our samples dried over night and then we dissolved the paste using a process called dunging. After the paste was removed from the cloth, the samples went into the dye pots along with blank cotton bandanas that were pre-treated.

I chose to dye my bandana in cutch and then we had a little time to design. I threw a quick sketch together and decided to use the stenciling process.

We again used different dye pastes that were painted on to the dyed cloth, but this time titanium and citric acid were in the mix. The titanium practically removed the dye.

We were sent home with dunging supplies and after my bandana dried overnight, I dissolved the paste and let my bandana dry. I’m pretty pleased with how it turned out.

This workshop was a lot of fun and I would really like to try this at home.

I guess I’m in my gray era.

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Gray thing #1 is my just finished sweater, which took about four months to knit. The most challenging and time consuming part of this knit was the short rows, but once I got past them, it was smooth knitting. The instructions are great and clear, it was my brain that was the issue here.

PATTERN: Seasons Sweater by Ozetta

YARN: Knitting for Olive heavy merino and soft silk mohair in ‘dark moose’ from La Mercerie

SIZE: M, no mods

This project felt just outside of my current knitting skill set, but it happened and I think I’m ready for the cardigan version. And yes, it’s just as squishy as it looks.

Gray thing #2 is this flight suit. The color I chose leans a little janitorial, but when it’s splattered in clay it leans artist. The fabric does wear a little heavy and I definitely overheat if I’m moving around a lot, but the details on this pattern are jumpsuit perfection.

PATTERN: Seamwork Mercer

FABRIC: Robert Kaufman Ventana Twill in ‘Grayish’

SIZE: 8 with 3″ removed from leg and 2″ removed from sleeve.

And gray thing #3 is a sweatshirt I made entirely for this single quilt block. Okay, I already had the french terry and rib knit, but I was inspired to sew it up once I had the idea of slapping the quilt block on it. The block was made out of linen scraps and was very shifty, so I fused some knit stay tape to the turned under edges and had to use a sheet of tracing paper to stitch it onto the french terry to keep the fabric from stretching out.

PATTERN: Dale Sweatshirt by Daisy Chain Patterns

FABRIC: ‘Mushroom’ french terry and matching rib knit from ISee Fabrics

SIZE: M